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Now playing: Amy Winehouse - Me & Mr Jones
via FoxyTunes
"I go to Indianapolis every year, to see the the Indy 500. I go there with friends to drive and race. Every year when they go there to qualify, they usually have to go as fast as they possibly can to get a front row position. They put nitro in their cars sometimes instead of the fuel that's intended to be in the cars, so that the cars will go faster. And they do, for 5 or 10 laps... then they blow all to Hell." - Evel Knievel




When a solid projectile strikes a granular layer, the impact forms a crater. This impact cratering phenomenon is basically simple. It can be described as a one dimensional motion, and the underlying physics is only classical mechanics. Nonetheless, a lot of dissipative macro grains, granular media, bring intriguing features to such a simple phenomenon. Surprisingly, nobody exactly knows how a projectile stops in a granular layer, even in terms of phenomenology. Some candidates of the force model have been proposed recently. To clarify which one is the best at describing a wide range granular impacts, we are measuring the velocity of the impact and discussing its dynamics.

Broken Social Scene: You Forgot It in People: Pitchfork Record ReviewWho could have imagined it would come so easily? You Forgot It in People explodes with song after song of endlessly replayable, perfect pop. For proof, pick virtually any track: the sound barrier-bursting anthem "Almost Crimes", the subdued, gossamer "Looks Just like the Sun", the Dinosaur Jr.-tinted "Cause = Time", or the shimmering, Jeff Buckley-esque "Lover's Spit". And there's plenty more where that came from. How about the chugging guitar-pop of "Stars and Sons", which spins a distant, churning keyboard drone beneath the best moments of Spoon's Girls Can Tell and punctuates it with a barrage of percussive handclaps. Or "Anthems for a Seventeen Year Old Girl" which showcases Emily Haines' melting alto caught in a beautiful, cyclical refrain and intensely modified by vocal effects while violins float atop subtle banjo plucking and cascading toms. Or "KC Accidental", which blasts searing, super-melodic guitar, a drumkit alternately galloping and relentlessly beaten, and an impenetrable wall of accelerating orchestration, before crash-landing into a deliquescent pop lullaby.





